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Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627.<br/><br/> Shāh ‘Abbās the Great (or Shāh ‘Abbās I) (Persian: شاه عباس بزرگ) (January 27, 1571 – January 19, 1629) was Shah (king) of Iran, and generally considered the greatest ruler of the Safavid dynasty.<br/><br/> The painting shows Emperor Jahangir of India and Shah Abbas of Persia embracing and is an allegorical representation of the friendship between the Mughal and Safavid empires. Both figures stand atop the world (symbolizing their power) and a lion and lamb lying together (symbolizing peace). The halo behind the two figures that is suspended by cherubs as well as the vivid floral patterns in the borders reveal the influence of European artistic motifs in Mughal painting during the reign of Jahangir.
Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627.<br/><br/> Shāh ‘Abbās the Great (or Shāh ‘Abbās I) (Persian: شاه عباس بزرگ) (January 27, 1571 – January 19, 1629) was Shah (king) of Iran, and generally considered the greatest ruler of the Safavid dynasty.<br/><br/> The painting shows Emperor Jahangir of India and Shah Abbas of Persia embracing and is an allegorical representation of the friendship between the Mughal and Safavid empires. Both figures stand atop the world (symbolizing their power) and a lion and lamb lying together (symbolizing peace). The halo behind the two figures that is suspended by cherubs as well as the vivid floral patterns in the borders reveal the influence of European artistic motifs in Mughal painting during the reign of Jahangir.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Iran: 'The Lovers'. Opaque watercolour painting by Riza Abbasi (c. 1565–1635), 1630. Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Tabriz was capital of the Safavid Empire from 1501 to 1548, during which time many great painters, such as Aqa Mirak, Mir Sayyid Ali and Dust Muhammad produced magnificent royal manuscripts. Safavid art set the standard for painting, literature and architecture, as well as ceramics, metal and glass. While of course nourished by Persian culture, much Safavid art was strongly influenced by Turkish, Chinese, Ottoman and Western cultures. The royal workshops of Tabriz were very influential, and illuminated and illustrated manuscripts spread throughout the empire. When the capital was transferred from Tabriz to Qazvin in 1548, the court artists fled to foreign courts, mostly Mughal or Ottoman.
Isfahan was a medieval waystation on the Silk Road until the 16th century when Shah Abbas the Great (1587–1629) conquered it and made it the new capital of the Safavid dynasty under a unified Persia. He built parks, libraries, baths and mosques, and Isfahan became one of the largest cities in the world. In 1722, following the defeat of the Safavids in the Battle of Gulnabad, Afghans raided Isfahan after a long siege, which left much of the city in ruins. Nowadays, it is the second city of Iran, and produces fine carpets, textiles, steel and handicrafts. The city’s Naghsh-e Jahan Square was designated as a World Heritage Site by UNESCO, and is regarded and an outstanding example of Iranian and Islamic architecture.
Tabriz was capital of the Safavid Empire from 1501 to 1548, during which time many great painters, such as Aqa Mirak, Mir Sayyid Ali and Dust Muhammad produced magnificent royal manuscripts. Safavid art set the standard for painting, literature and architecture, as well as ceramics, metal and glass. While of course nourished by Persian culture, much Safavid art was strongly influenced by Turkish, Chinese, Ottoman and Western cultures. The royal workshops of Tabriz were very influential, and illuminated and illustrated manuscripts spread throughout the empire. When the capital was transferred from Tabriz to Qazvin in 1548, the court artists fled to foreign courts, mostly Mughal or Ottoman.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Shāh ‘Abbās the Great (or Shāh ‘Abbās I) (Persian: شاه عباس بزرگ) (January 27, 1571 – January 19, 1629) was Shah (king) of Iran, and generally considered the greatest ruler of the Safavid dynasty. He was the third son of Shah Mohammad.<br/><br/> Abbas came to the throne during a troubled time for Iran. Under his weak-willed father, the country was riven with discord between the different factions of the Qizilbash army, who killed Abbas' mother and elder brother. Meanwhile, Iran's enemies, the Ottoman Empire and the Uzbeks, exploited this political chaos to seize territory for themselves.<br/><br/> In 1587, one of the Qizilbash leaders, Murshid Qoli Khan, overthrew Shah Mohammed in a coup and placed the 16-year-old Abbas on the throne. But Abbas was no puppet and soon seized power for himself. He reduced the influence of the Qizilbash in the government and the military and reformed the army, enabling him to fight the Ottomans and Uzbeks and reconquer Iran's lost provinces. He also took back land from the Portuguese and the Mughals.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Shāh ‘Abbās the Great (or Shāh ‘Abbās I) (Persian: شاه عباس بزرگ) (January 27, 1571 – January 19, 1629) was Shah (king) of Iran, and generally considered the greatest ruler of the Safavid dynasty. He was the third son of Shah Mohammad.<br/><br/> Abbas came to the throne during a troubled time for Iran. Under his weak-willed father, the country was riven with discord between the different factions of the Qizilbash army, who killed Abbas' mother and elder brother. Meanwhile, Iran's enemies, the Ottoman Empire and the Uzbeks, exploited this political chaos to seize territory for themselves.<br/><br/> In 1587, one of the Qizilbash leaders, Murshid Qoli Khan, overthrew Shah Mohammed in a coup and placed the 16-year-old Abbas on the throne. But Abbas was no puppet and soon seized power for himself. He reduced the influence of the Qizilbash in the government and the military and reformed the army, enabling him to fight the Ottomans and Uzbeks and reconquer Iran's lost provinces. He also took back land from the Portuguese and the Mughals.
Shāh ‘Abbās the Great (or Shāh ‘Abbās I) (Persian: شاه عباس بزرگ) (January 27, 1571 – January 19, 1629) was Shah (king) of Iran, and generally considered the greatest ruler of the Safavid dynasty. He was the third son of Shah Mohammad.<br/><br/> Abbas came to the throne during a troubled time for Iran. Under his weak-willed father, the country was riven with discord between the different factions of the Qizilbash army, who killed Abbas' mother and elder brother. Meanwhile, Iran's enemies, the Ottoman Empire and the Uzbeks, exploited this political chaos to seize territory for themselves.<br/><br/> In 1587, one of the Qizilbash leaders, Murshid Qoli Khan, overthrew Shah Mohammed in a coup and placed the 16-year-old Abbas on the throne. But Abbas was no puppet and soon seized power for himself. He reduced the influence of the Qizilbash in the government and the military and reformed the army, enabling him to fight the Ottomans and Uzbeks and reconquer Iran's lost provinces. He also took back land from the Portuguese and the Mughals.